PLAYS I HAVE DIRECTED
(Written by Daniel MacIvor)
Performed as an Equity Showcase at the Solo Arts Theatre

(The scuff marks are intentional. Don't ask. I didn't design it.)
The winner of the prize for OVERALL EXCELLENCE at the 1999 NY International Fringe Festival
Off-Off Broadway run at the St. Marks Theatre
Extended Off-Off Broadway run at the St. Marks Theatre
Off-Broadway run at the Soho Playhouse
(Some Reviews)
...A clever, jaunty piece of entertainment...MacIvor turns everyday blather into pop poetry.
-Jason Zinoman, Time Out--New York
...A startlingly new piece of theater...Under Timothy P. Jones's meticulous direction, MacIvor's spare, poetic script is a choreographed dance toward destruction...a tour de force for the three actors. Their movement, their timing, their control of tone, leave you quite breathless.
-Francine Russo,The Village Voice
(The cast) are nothing short of brilliant in this well directed diamond of a play. The ensemble's timing is flawless...
-David Roberts, Theatre Reviews Ltd. (Read Full Review)
There’s no question that MacIvor has hit upon a jazzy and amusing structure here, and the acting in Timothy P. Jones’ production is sharp and strong.
Jonathan Kalb, NY Press (Read Full Review)
...As theatrically dangerous as it is arresting...Blessed by a flavorsome cast and zippily directed...compelling theater.
-David Rosenberg, Backstage
John Maria gives one of the Fringe Festival's best performances...(in) an interesting Neal labute-style work..."
-Andy Buck, In Theater Magazine
Every once in a while, we get a little bit of unexpected poetry in our theater-going lives, a potent, pleasing, carefully-crafted delicacy... Never Swim Alone is such a treasure.
-Les Gutman, CurtainUp
The Internet Theater Magazine of Reviews,
Features, Annotated Listings
Off-Off Broadway run at the KGB-Red Room
Off-Broadway run at the Rattlestick Theatre
Philadelphia Fringe Festival
Read an interview at nytheatre.com
| ...Jones keeps everything flowing nicely, punctuating the vignettes with brief blackouts during which O'Connor moves around the stage, sometimes sitting in a chair to signify a car, other times coming downstage to address the audience. See Bob Run is a well-crafted, well-acted piece of theater. -Brooke Pierce, Theatermania |
PLAYS I HAVE WRITTEN AND DIRECTED

2001 Fringe Festival
WINNER BEST PERFORMANCE
Off-Off Broadway at the Sandi Shurin Theatre